Rivers and waterways


Brown, Leslie, and Susan Strega. "Research as Resistance, 2nd Edition." CSPI. Canadian Scholars' Press, 01 Sept. 2015. Web. 24 Nov. 2016.

Cardinal-Schubert, Joane. Flying with Louis.

DaCosta, Jamaias. "OCEANS OF LOVE FOR LEANNE SIMPSON'S." MUSKRAT Magazine. N.p., 21 Jan. 2015. Web. 01 Apr. 2017.

Daschuk, James William. Clearing the Plains: Disease, Politics of Starvation, and the Loss of Aboriginal Life. Print. 2013.

Derksen, Jeff. “Reconcile This!”. West Coast Line 74, Vol. 46. No.2. Summer 2012. West Coast Line. Web. 18 Sept. 2016.

Fowler, Cynthia. “Materiality and Collective Experience: Sewing as Artistic Practice in Works by Marie Watt, Nadia Myre, and Bonnie Devine. American Indian Quarterly, Vol. 34, No. 3 (Summer 2010). Pp. 344-364.

Fraser Basin Council. Shuswap Watershed Project, 2006, www.shuswapwatershed.ca/.

Glenn, Lorri Neilsen. Following the river: traces of Red River women. Hamilton, ON: Wolsak & Wynn, 2017.

hooks, bell. “Theory as Liberatory Practice.” Teaching to Transgress: Education as the Practice of Freedom, Routledge, 1994, pp. 59–75.

Igloliorte, Heather, Julie Nagam, and Carla Taunton. "Transmissions: The Future Possibilities of Indigenous Digital and New Media Art" Public 27, no. 54 (2016): 5-11. Print.

Kathleen E. Abolon (Minogiizhigokwe). Kaandossiwin: How We Come to Know. Halifax, NS: Fernwood Publishing, 2011. Excerpt. From https://fernwoodpublishing.ca/book/kaandossiwin

Kimmerer, Robin Wall. Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants. Minneapolis, MN: Milkweed Editions, 2013. Print.

Kovach, Margaret. Indigenous Methodologies: Characteristics, Conversations and Contexts. Toronto: U of Toronto, 2009. Print.

Lippard, Lucy R. “High Floods and Low Waters.” The Lure of the Local: Senses of Place in a Multicentered Society, New Press, 1998, pp. 160–168.

McGregor, Deborah. “Anishnaabekwe, Traditional Knowledge and Water.” First Voices: an Aboriginal Women's Reader, edited by Patricia A. Monture and Patricia D. McGuire, Inanna Publications and Education, 2009, pp. 134–142.

McLeod, Brenda. “First Nations Women and Sustainability of the Canadian Prairies.” First Voices: an Aboriginal Women's Reader, edited by Patricia A. Monture and Patricia D. McGuire, Inanna Publications and Education, 2009, pp. 154–168.

Minsky, Amy. “First Nations ‘Living in Third World Conditions’ as Communities Endure Water Advisories.” Global News. February 9, 2016. Accessed March 9, 2018.  https://globalnews.ca/news/3238948/first-nations-drinking-water-crisis-liberals-promise/

Myre, Nadia, and Colette Tougas. Nadia Myre: en(counter)s. Montréal: Éditions Art mûr, 2011.

National Museum of the American Indian. A Life in Beads: The Stories a Plains Dress Can Tell. https://nmai.si.edu/sites/1/files/pdf/education/NMAI_lifeinbeads.pdf

Onaman Collective. web. http://onamancollective.com/

Palmater, Pamela. Beyond Blood: Rethinking Indigenous Identity. 2011. Print.

Perreault, Jeanne. “‘Memory Alive’ An Inquiry into the Uses of Memory by Marilyn Dumont, Jeannette Armstrong, Louise Halfe, and Joy Harjo.” Indigenous Women and Feminism: Politics, Activism, Culture, edited by Cheryl Suzack and Shari M. Huhndorf, UBC Press, 2014, pp. 199–217.

Perry, Adele. Aqueduct: Colonialism, Resources and the Histories We Remember. ARP Books, 2016.

Racette, Sherry Farrell. Clearing a Path: New Ways of Seeing Traditional Indigneous Art, Carmen Robertson and Sherry Farrell Racetter, eds. Regina: Canadian Plains Research Centre, 2009. pp. 21–31.

Racette, Sherry, Farrell. Sewing for a Living: The Commodification of Métis Women’s Artistic Production.  

Racette, Sherry Farrell. The Radical Stitch: Bead Until Your Fingers Bleed. October 30, 2016. https://mawa.ca/videos/view/the-radical-stitch-bead-until-your-fingers-bleed-by-sherry-farrell-racette

Robertson, Carmen. “Land and Beaded Identity: Shaping Art Histories of Indigenous Women of the Flatland”. RACAR, no. 42 (2017): 13-29. Print.

Sandles, Leah. “Amy Malbeuf Q&A: My References, My Self”. Canadian Art. November 6, 2014. Web. https://canadianart.ca/features/amy-malbeuf-qa-references-self/ Accessed March 18, 2018.

Sawyer, Geoff. A History of Lesser Slave Lake, 1981. [Edmonton] : Government of Alberta, Dept. of Recreation and Parks, Park Division, Visitor Services Planning, 1981. Print. pp. 1–39.

Simpson, Leanne Betasamosake. “Leanne Simpson – Islands of Decolonial Love.” YouTube, 13 Feb. 2015,

Simpson, Leanne. Dancing on our turtles back: stories of Nishnaabeg re-creation, resurgence and a new emergence. Winnipeg: Arbeiter Ring Pub. 2015:17.

Smith, Laura E. "On Indigenous Digit-al Media and Augmented Realities in Will Wilson’s eyeDazzler: Trans-customary Portal to Another DimensionPublic 27, no. 54 (2016): 123-127. Print.

Smith, Linda Tuhiwai. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed, 1999. Print.

Taunton, Carla. “Embodying Sovereignty: Indigenous Women’s Performance Art in Canada”. Narratives Unfolding: National Art Histories In an Unfinished World. Edited by Martha Langford. 2017. McGill-Queen’s Press. pp.341–344.

Walter, Emmanuelle. Stolen Sisters: an Inquiry into Feminicide in Canada. Harper Collins Books, 2015. pg.47

Webb-Campbell, Shannon. “Reclaiming Indigenous Territories, Bead by Bead.” Review of Tibewh. 2017. (canadianart.ca/reviews/olivia-whetung-tibewh/). October 22, 2017.

Yunes, Erin. "Arctic Cultural (Mis)Representation: Advocacy, Activism, and Artistic Expression through Social Media" Public 27, no. 54 (2016): 99-103. Print.